Category Archives: Audio

Flannery O’Connor’s “A Good Man Is Hard To Find”

The grandmother didn’t want to go to Florida. She wanted to visit some of her connections in east Tennessee and she was seizing at every chance to change Bailey’s mind. Bailey was the son she lived with, her only boy. He was sitting on the edge of his chair at the table, bent over the orange sports section of the Journal. “Now look here, Bailey,” she said, “see here, read this,” and she stood with one hand on her thin hip and the other rattling the newspaper at his bald head. “Here this fellow that calls himself The Misfit is aloose from the Federal Pen and headed toward Florida and you read here what it says he did to these people. Just you read it. I wouldn’t take my children in any direction with a criminal like that aloose in it. I couldn’t answer to my conscience if I did.”

Bailey didn’t look up from his reading so she wheeled around then and faced the children’s mother, a young woman in slacks, whose face was as broad and innocent as a cabbage and was tied around with a green head-kerchief that had two points on the top like rabbit’s ears. She was sitting on the sofa, feeding the baby his apricots out of a jar. “The children have been to Florida before,” the old lady said. “You all ought to take them somewhere else for a change so they would see different parts of the world and be broad. They never have been to east Tennessee.”

The children’s mother didn’t seem to hear her but the eight-year-old boy, John Wesley, a stocky child with glasses, said, “If you don’t want to go to Florida, why dontcha stay at home?” He and the little girl, June Star, were reading the funny papers on the floor.

“She wouldn’t stay at home to be queen for a day,” June Star said without raising her yellow head.

“Yes and what would you do if this fellow, The Misfit, caught you?” the grandmother asked.

“I’d smack his face,” John Wesley said.

“She wouldn’t stay at home for a million bucks,” June Star said. “Afraid she’d miss something. She has to go everywhere we go.”

“All right, Miss,” the grandmother said. “Just remember that the next time you want me to curl your hair.”

June Star said her hair was naturally curly.

The next morning the grandmother was the first one in the car, ready to go. She had her big black valise that looked like the head of a hippopotamus in one corner, and underneath it she was hiding a basket with Pitty Sing, the cat, in it. She didn’t intend for the cat to be left alone in the house for three days because he would miss her too much and she was afraid he might brush against one of her gas burners and accidentally asphyxiate himself. Her son, Bailey, didn’t like to arrive at a motel with a cat.

She sat in the middle of the back seat with John Wesley and June Star on either side of her. Bailey and the children’s mother and the baby sat in front and they left Atlanta at eight forty-five with the mileage on the car at 55890. The grandmother wrote this down because she thought it would be interesting to say how many miles they had been when they got back. It took them twenty minutes to reach the outskirts of the city.

GoodManHardFindFAMILYThe old lady settled herself comfortably, removing her white cotton gloves and putting them up with her purse on the shelf in front of the back window. The children’s mother still had on slacks and still had her head tied up in a green kerchief, but the grandmother had on a navy blue straw sailor hat with a bunch of white violets on the brim and a navy blue dress with a small white dot in the print. Her collars and cuffs were white organdy trimmed with lace and at her neckline she had pinned a purple spray of cloth violets containing a sachet. In case of an accident, anyone seeing her dead on the highway would know at once that she was a lady.

She said she thought it was going to be a good day for driving, neither too hot nor too cold, and she cautioned Bailey that the speed limit was fifty-five miles an hour and that the patrolmen hid themselves behind billboards and small clumps of trees and sped out after you before you had a chance to slow down. She pointed out interesting details of the scenery: Stone Mountain; the blue granite that in some places came up to both sides of the highway; the brilliant red clay banks slightly streaked with purple; and the various crops that made rows of green lace-work on the ground. The trees were full of silver-white sunlight and the meanest of them sparkled. The children were reading comic magazines and their mother and gone back to sleep. Continue reading

Memorare

OurLadyOfPerpetualHelp
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MEMORARE, O piissima Virgo Maria, non esse auditum a saeculo, quemquam ad tua currentem praesidia, tua implorantem auxilia, tua petentem suffragia, esse derelictum. Ego tali animatus confidentia, ad te, Virgo Virginum, Mater, curro, ad te venio, coram te gemens peccator assisto. Noli, Mater Verbi, verba mea despicere; sed audi propitia et exaudi. Amen. Remember, O most gracious Virgin Mary, that never was it known that anyone who fled to your protection, implored your help, or sought your intercession, was left unaided. Inspired with this confidence, I fly to you, O Virgin of virgins, my Mother. To you I come, before you I stand, sinful and sorrowful. O Mother of the Word Incarnate, despise not my petitions, but in your mercy, hear and answer me. Amen.

Memorare
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Bioethics for the Rest of Us

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Wednesday, Jan 15, 2014 – 7pm ET
Fr. Tad Pacholczyk

Rev. Tadeusz Pacholczyk, Ph.D., Director of Education, The National Catholic Bioethics Center

Fr. Tad is a priest of the diocese of Fall River, Massachusetts. As an undergraduate he earned degrees in philosophy, biochemistry, molecular cell biology, and chemistry, and did laboratory research on hormonal regulation of the immune response. He later earned a Ph.D. in Neuroscience from Yale University, where he focused on cloning genes for neurotransmitter transporters which are expressed in the brain. He also worked for several years as a molecular biologist at Massachusetts General Hospital/Harvard Medical School. Fr. Tad studied for 5 years in Rome where he did advanced work in dogmatic theology and in bioethics, examining the question of delayed ensoulment of the human embryo. He has testified before members of the Massachusetts, Wisconsin, Virginia and North Carolina State Legislatures during deliberations over stem cell research and cloning. He has given presentations and participated in roundtables on contemporary bioethics throughout the U.S., Canada, and in Europe. He has done numerous media commentaries, including appearances on CNN International, ABC World News Tonight, and National Public Radio. He is Director of Education for The National Catholic Bioethics Center in Philadelphia and directs the Center’s National Catholic Certification Program in Health Care Ethics.

Fr. Tad has presented on the science and ethics of stem cells and cloning numerous times across the country and abroad. Some of the institutions to which he has been invited to speak are:

UCSF, San Francisco, CA; Cornell University, Ithaca, NY; Boston College, Boston, MA; University of Arizona, Tucson, AZ; Massachusetts Institute of Technology, Boston, MA; Holy Cross College, Worcester, MA; University of Louisiana, Lafayette, LA; Indiana University-Purdue University Indianapolis; Florida Atlantic University, Boca Raton, FL; Jordan Hospital, Plymouth, MA; University of Chicago, Chicago, IL; University of Texas Southwestern Medical Center, Dallas, TX; Cambridge Health Alliance Hospital, Cambridge, MA; Marquette University, Milwaukee, WI; University of Notre Dame, Notre Dame, IN; St. Elizabeth’s Medical Center, Boston, MA; Salve Regina University, Newport, RI; University of Dallas, Dallas, TX; Southern New England School of Law, Dartmouth, MA; Marymount University, Arlington, VA; University of St. Thomas, Houston, TX; Wellesley College, Wellesley, MA; Stonehill College, Easton, MA; Boston University, Boston, MA.

SONY® CARDIOID DYNAMIC MICROPHONE F-98 INSTRUCTION FOR USE

https://www.google.com/search?q=Sony+cardioid+microphone+F-98

SONY® CARDIOID DYNAMIC MICROPHONE F-98INSTRUCTION FOR USE

SONY® CARDIOID DYNAMIC MICROPHONE F-98
INSTRUCTION FOR USE

The SONY F-98 is a high quality cardioid type (uni-directional) microphone incorporating advanced SONY microphone technology for wide frequency response and high front to back rejection in a light weight case. Using an extra strong magnet, it gives superlative performance equal to those having much larger apertures.

It performs equally well when used for instrumentalists, singers (solo or group), and public address. The thin tapered shape comfortably fits in the hand. Light weight, the F-98 is ideal for use in “on-the-spot” interviews. Its high output makes it particularly suitable as a tape recording microphone.

The cardioid polar pattern means nearly complete cancellation of noise originating behind the microphone. Professionally used where a microphone insensitive to extraneous noise is desired, the cardioid pattern of the F-98 is ideal for stereophonic recording and when uni-directional characteristics are desired.

MONOPHONIC RECORDING

For monophonic recording, a distance of 18 inches or more from the sound source is recommended. If the F-98 is placed too close to the sound source, an unnatural bass will be heard and letters such as “p” and ” b” will produce “pops” in the recording.

Normally when a microphone is placed too far from the source, it will cause the recording to sound thin and hollow and lack bass. Not so with the F-98. It will maintain its superb characteristics even under these conditions.

STEREOPHONIC RECORDING

The normal distance between the microphones for stereophonic sound should be 3 to 4 feet. Room acoustics, playback speaker spacing as well as personal preference may require change of this distance. In case it is necessary to place the F-98 microphones closer together than 4 feet in stereophonic recording, it is recommended they should be turned so that they face in opposite directions. A few “trial runs” will generally serve to indicate the best placement of the F- 98 microphones.

The removable stand permits the F-98 to be hand-held as a probe microphone or used as a desk microphone. The microphone stand is designed so that it can be reversed for a higher or lower desk angle.

Cardioid Pattern

Cardioid Pattern

TECHNICAL SPECIFICATIONS
Type: Dynamic microphone
Directional characteristic: Uni-directional
Frequency response: 70-14,000 Hz
Impedance: *MTL. LOW (250 ohm)
Output level: -58 ± 2.5 dB
Cable length: 6 1/2 feet
Dimensions: l 1/8 inch diameter
6 1/4 inch long
Weight: 7 1/4 oz
* Matching Transformerless

SONY CORPORATION
2-508-055-21 (1)
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acrobitty MANUAL Sony Cardioid Microphone F-98

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